Danzan Ravjaa
and his Legacy
Khamriin Khiid was founded in 1822 by one of Mongolia’s most accomplished and forward-thinking masters, the mahasiddha Danzan Ravjaa. At its height, the oasis at Khamriin supported around 500 monks and a substantial lay community. Practitioners integrated all of the Vajrayana lineages, but placed a special emphasis on the Nyingma view and methods. In the many caves gracing nearby volcanic formations, retreatants rigorously pursued esoteric paths to enlightenment and Danzan Ravjaa received revelatory visions of Padmasambhava in Mongolia’s only example of indigenous terma discovery.
A poet, songsmith, dramatist, painter and naturopathic doctor, Ravjaa augmented the spiritual activity at Khamriin by instituting Mongolia’s first secular secondary and art schools, museum, library, and theater. The latter staged elaborate, operatic dramas with Buddhist themes each summer. The actors trained at Khamriin and all of the costumes, sets and props were created in its workshops. One of the final acts of Ravjaa’s foreshortened life was to inspire the creation of an utterly unique site dedicated to the mystical land of Shambhala, featuring 108 stupas enclosing a temple enshrining the Kalachakra Tantra mandala.
In 1938, the Soviet-led Red Army destroyed and looted almost everything at Khamriin Khiid. It was only through the remarkable foresight and courage of a Mongolian man named Tudev that 64 crates of Danzan Ravjaa’s texts, belongings and valuable gifts were buried in the desert for more than 50 years.
Tudev was takhilch of Khamriin, the hereditary lifework of those with a special birthmark and a special destiny – to act as caretaker of Danzan Ravjaa’s legacy. This task skipped a generation, and it is now Tudev’s grandson, Z. Altangerel, who is responsible for reviving Khamriin in the new era of religious freedom that followed Mongolia’s peaceful democratic revolution in 1990.

Z. Altangerel poses before a
portrait of his grandfather,
Tudev.
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